The 2014 mustache season was my sixth year participating in the cancer-fighting, mustache growing fundraiser Movember. Over the past five years, my small effort with a single teammate has become a family operation with my brother, father, and sister all participating and with great support from my wife and my mom—not to mention the over 100 teammates we’ve all had within the Ministry of Mustache Growth & Management network over the past half-decade. It’s been a helluva ride! Read more ›
That’s right, folks! Caleb Goellner and my little comic is now available at one of the world’s largest digital comics retailers! So, head to Comixology, and for just 99 cents, grab a copy of the futuristic cryptid crime comic that Comics Alliance calls “quite possibly the greatest sasquatch-based sci-fi revenge mystery of autumn 2014.”
Get Birch Squatch: The Last Bigfoot #1 here! Read more ›
Friends, Romans, Countrymen, lend me your peepers!
I have written a comic about a bigfoot pushed to his limit that Comics Alliance (who generously covered this indie effort) dubbed “quite possibly the greatest sasquatch-based sci-fi revenge mystery of autumn 2014.” You should use your eyeballs to look at its glorious art and read its excellent words! The comic is called Birch Squatch: The Last Bigfoot and it is currently available digitally on Gumroad. Read more ›
“And then…” is the enemy of a good story. “Therefore” and “But…” are your friends. South Park creators Matt Stone and Trey Parker break it down… Read more ›
Last night, I was watching MasterChef with my fiancé and I realized that, over the two seasons I’ve watched, there are always a few contestants who seem certain they know better than the judges. Gordon Ramsay will come around, ask them what they’re cooking, taste it, and often offer some sort of “Are you sure about this? Did you think this through?” criticism. The contestants who often do the best, take that cue and work toward applying the criticism to their cooking. The contestants who are often eliminated early on in the competition are the ones who shake their heads at the criticism and seem convinced that they know better than the judges. Read more ›
In David Mamet’s On Directing Film, he explains that a director’s job is to make a film by putting together a series of uninflected shots. Using straightforward images alone, you tell the story. He suggests that if you try to make a silent film, you should be able to make a great film because you’ll be forced to make sure each image you use means something, each shot furthers the scene.
Think about that. It’s a great guide for the visual storyteller—Comics very much included in that. Make sure every scene/image works toward telling your story. Read more ›
I recently read a great piece from Brian McDonald’s Invisible Ink blog about how imagination is like a reservoir.
Here’s a sample, but go read the whole thing (and check out his book too!)… Read more ›
Recently, ComicBookResources.com announced that Christopher Sebela and Ibrahim Moustafa’s thrilling high altitude noir comic High Crimes, originally published digitally via MonkeyBrain Comics and currently nominated for the Best Digital Comic award at this year’s Eisners, would be getting a print edition via Dark Horse. A collection that I’m very proud and excited to be editing! Read more ›
Not sure why this thing I made back in August isn’t the most popular thing on the internet yet…
#BATFLECK: The (Bat)Man Without Fear!
I’m lucky enough to have been drawn into/referenced in a few comic books. You can read about them here, here, here, and here. These are Easter Eggs, if they’re even special enough to be called that, which I’m sure most people don’t notice. But—naturally—to me, they’re awesome!
Here’s a bunch more from last year that I’m eternally grateful for, but I haven’t had a chance to blog until now. Read more ›